The Lusty Men: And Women

Epic Is as Epic Does 

This film has some fantastically exciting moments. I’ve become more and more  eager to watch the next film in Ray’s body of work because it’s like going on an Easter  egg hunt. After wading through conventions (no matter how delightful) there are  moments of genius nestled into places where I least expect it. Knowing that there was no  script, so to speak, it is both interesting and intriguing that this felt like one of Ray’s most  streamlined and complete films. The story was unusually focused and the depth of the  characters was fantastic.     Dreams: With Robert Mitchum

Robert Mitchum is a gem. Jeff McCloud is one of Ray’s most hopelessly romantic characters. There are so many delicate moments in a character that is so ragged. The way  that McCloud is always seen as removed and distanced is not as stereotypical as the lone cowboy character is often portrayed. He has a decisive demeanor that is constantly  planning and plotting. It keeps from being entirely lost and vulnerable and opens his character up to have more intimate moments. 
Badass Babe: You Win Some You Win Some

Susan Hayward has, in my opinion, has the best moment of the film. When she walks into the bar to save her marriage, there is a sense of empowerment in her character that fills the whole scene and steals the show. When she dumps her drink on (Babs?)  head, there was an audible reaction from the crowd. This is a rare moment in film when  people can’t contain themselves. It’s exciting and encompasses the feelings I have about  these “Ray moments.”  Arthur Kennedy has a fantastic transformation. It’s obvious from the conception of his scheme that he’s inviting hi own downfall, but it doesn’t make it any less interesting to watch. It’s great that you want to see him succeed in the competition even though that means he’s contributing to his own demise. From beginning to end this movie is great. It has a really streamlined plot, great  performances and is decidedly one of my favorite Ray films.